Do you feel good about how the album turned out? “It’s my chosen career, and I can’t really change it now.”ĭigital Trends: The Violet Flame sounds as relevant to me as anything you guys have done. Sometimes the truth is harder, but Clarke feels he couldn’t do it any other way. Flame reinforces Erasure’s aural strengths, from the gotta-dance burble of lead track “Elevation” to the anthemic thrust of “Sacred” to the percussive drive of “Smoke and Mirrors.” Recently, Clarke, 54, met with Digital Trends to discuss his synths and their sounds, his top albums and favorite songwriter (all of which may surprise you), and today’s DJ culture. And, in his “spare” time, Clarke has done adventurous remixes for the likes of Bleachers, Future Islands, Plastikman, and Goldfrapp.Įrasure continues its electronic dominance and eternal relevance with The Violet Flame, out now on Mute Records. A forefather of the electronic generation, Clarke helped pioneer synthpop as a founding member of Depeche Mode (“Just Can’t Get Enough,” from 1981’s Speak & Spell, set the table for his riff-driven style), partnered with chanteuse Alison Moyet in Yaz (or Yazoo, depending on which side of the pond you’re on) for 1982’s new-wave/synth hybrid classic Upstairs at Eric’s, and, for the past three-plus decades, has been conjoined with vocalist Andy Bell in the iconic electronic duo Erasure. When asked about his indelible influence on today’s burgeoning electronic music scene, Clarke replies, “Our connection with what’s happening now is the fact that we play synthesizers. If modesty were the best policy, Vince Clarke would be the king of tranquility. Share Image used with permission by copyright holder
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